Writing

Writing

• Essays
  • Apocalyptic Solidarity
  • Awe and Novelty
  • Dilation of The Soul
  • Poetic Justice
  • Politics & The Art of Alienated Awe
  • The Accelerated Narrative
  • The Aesthetic Equivalent of War
• Novels
  • K.G.B Girlfriends
    • 1a – Table of Contents
    • 1b – Prorogue
    • 1c – The Squatters Box
    • 2 – The Announcement
    • 2a – The Twelve Points
    • 2b – The Academics
    • 2c – Prisoners of Conscience
    • 4 – The Island
    • 4a – The Flies
    • 5 – Athens
    • 5a – Belgrade
    • 5a – The Panic Grass
    • 6 – The Wandering Birds
    • 6a – Occupied City
    • 7 – The Sexual Harlequins
    • 7a – Death Wagons
    • 8 – Revolution
    • 8a – The Barricades
    • 9a – Epilogue
    • 9b – Paris Nights
  • Tombstone Internationale
    • 1 – Table of Contents
    • 1C – The Street Preacher
    • 1D – The Party
    • 2 – The Hologram
    • 2A – The Georgian Queen
    • 2B – The Printing Room
    • 3 – The High Priest
    • 3A – Aloysius The Infinite
    • 3B – The Stars
    • 4 – The Nightmare Carnival
    • 4A – The Sheep Truck
    • 4B – The Border
    • 5 – The Freest City in The World
    • 6 – The Auction Block
    • 7 – Education of The Family
    • 8 – The Balloon
    • 9a – The Statues
    • 9b – The Flight
    • 9H – The End & Epilogue
  • Watertower Girl
    • 1 – Dawn Becomes Amnesia
    • 1A – Coffee And Apricots
    • 1B – Sweat and Perfume
    • 2 – Zero From Space
    • 3A – The Islan of Anja
    • 3B – The Swan Song
    • 4A – Vanishing Point
    • 4B – Mnemonic Window
    • 5A – Floating
    • 5B – Down to Earth
    • 6 – Eric in The Underworld
    • 6A – Insult Artist
    • 6B – Darkness Visible
    • 7 – The Penthouse
    • 7A – Gallery of Shadows
    • 7B – Spirit of Gravity
    • 8 – The Room
    • 8A – Fire and Water
    • 8B – Event Horizon
    • 9A – Alternate Lines – Plans
• Philosophy
  • Nietzsche’s Concept
    • 1 – The Tragic Recognition
      • 1 – Apollo and Dionysius
      • 2 – Homer and The Epic
      • 3 – The Dithyramb
      • 5 – Aeschylus
      • 6 – Sophocles
      • 7 – Euripides
      • 8 – Socrates
      • 9 – Critique and Transition
    • 2 – Against Romantic Sentiment
      • 1 – The Poet as Actor
      • 2 – The Poet as Liar
      • 3 – The Proof of Poetry
    • 3 – The Transition to Style
      • 1 – The Concept of Style
      • 2 – The Epigram and The Poem
      • 3 – Tempo
      • 4 – Nietzsche as Poet
      • 5 – Four Good Europeans
      • 6 – Shakespeare's Taste
      • 7 – Goethe
      • 8 – Byron
      • 9 – Heine
    • 4 – Redemption of the Poet
      • 1 – The Psychology of the Poet
      • 2 – The Redemption of The Earth
      • 3 – The Innocence of The Senses
      • 4 – The Eternal Return
  • Noticing and Awe
    • 1 – Alienation From Awe
    • 2 – Noticing
    • 3 – The Spectrum of Expressibility
    • 4 – The Full Draft of Being
    • 5 – Dilation of The Soul
    • 6 – Performance of Logos
    • 7 – Radiance
• Plays
  • Karmic Larceny
• Poetry
  • Rooftops and Ledges